Selected Bibliography


Ascott, Roy. "The Technoetic Dimension of Art." Art@Science. Christa Sommerer and Laurent Mignonneau, eds., New York: Springer-Verlag Wien, 1997.

Berman, Marshall. All That is Solid Melts into Air, The Experience of Modernity. New York: Penguin Books, 1988, 288.

Bolter, Jay David and Richard Grusin. Remediation, Understanding New Media. Cambridge, Massachusetts: The MIT Press, 1999.

Cook, Nicholas. Analysing Musical Multimedia, Oxford: Clarendon Press, 1998.

Dreyfus, Hubert L. and Charles Spinosa. "Highway Bridges and Feasts:Heidegger and Borgmann on How to Affirm Technology." http://www.focusing.org/dreyfus.html

Durbin, Paul T. "Advances in Philosophy of Technology? Comparitive Perspectives." Society for Philosophy &Technology Volume 4, Number 1. http://scholar.lib.vt.edu/ejournals/SPT/v4_n1html/DURBIN.html.

Ebersole, Samuel. "Media Determinism." http://www.regent.edu/acad/schcom/rojc/mdic/md.html, 1995.

Feenberg, Andrew."From Essentialism to Constructivism: Philosophy of Technology at the Crossroads." http://www-rohan.sdsu.edu/faculty/feenberg.

Feenberg, Andrew."Summary Remarks on My Approach to the Philosophical Study of Technology." http://www-rohan.sdsu.edu/faculty/feenberg/method1.html.

Feenberg, Andrew. Questioning Technology . London: Routledge, 1999.

Field, Ambrose. "Simulation and reality: the new sonic objects." Music, Electronic media and culture. Simon Emmerson, Aldershot, Hants, England: Ashgate Publishing Limited, 2000.

Fiske, Harold E. Music and Mind: Philosophical Essays on the Cognition and Meaning of Music. Lewiston, New York: The Edwin Mellen Press, 1990.

Gaburo, Kenneth. "Murmur." On the Wires of Our Nerves. Robin Julian Heifetz, ed. Cranbury, NJ: Associated University Presses, Inc., 1989.

Heise, Ursula K. Chronoschisms: Time, Narrative and Postmodernism. Cambridge: Cambridge University Press, 1997.

Iazzetta, Fernando. "Meaning in Musical Gesture." Reprint from: Trends in Gestural Control of Music. M.M. Wanderley and M. Battier, eds. Ircam - Centre Pompidou, 2000.

Itoh, Toshiharu. "ICC (InterCommunication Center): The Matrix of Communication and Imagination,"Art@Science. Christa Sommerer and Laurent Mignonneau, eds., New York: Springer-Verlag Wien, 1997.

Joyce, Michael. Of Two Minds, Ann Arbor: The University of Michigan Press.

Kriesche, Richard. Siting Technology.Banff: Walter Phillips Gallery, 1988.

Lombreglia, Ralph. "Humanityıs Humanity in the Digital twenty-first." The Graywolf Forum 1 Tolstoyıs Dictaphone: Technology and the Muse. Sven Birkerts, ed., Saint Paul: Graywolf Press, 1996.

Mitcham, Carl. Thinking Through Technology: The Path between Engineering and Philosophy. Chicago: University of Chicago Press, Inc., 1994.

Pepperell, Robert. The Post-Human Condition .. Oxford: Intellect, 1995.

Rubinoff, Lionel. "Technology and the Crisis of Rationality: Reflections on the Death and Rebirth of Dialogue," Philosophy. Form 15, 3-4, 1977.

Schwartz, Hans-Peter. "New Art Needs New art Venues - Art, Technology and the Museum." Art@Science. Christa Sommerer and Laurent Mignonneau, eds., New York: Springer-Verlag Wien, 1997.

Show, Jeffrey. "Convergence of Art, Science and Technology?" Art@Science. Christa Sommerer and Laurent Mignonneau, eds., New York: Springer-Verlag Wien, 1997.

Stern, Peter. Prisoners of the Crystal Palace. Umea, Sweden: Borea Bokforlag, 1996.

Thompson, George W. Jr. Technology and Human Fulfillment. Lanham, Maryland: University Press of America, Inc., 1985.

Waters, Simon."Beyond the acousmatic: hybrid tendencies in electroacoustic music." Music, Electronic media and culture. Simon Emmerson, ed. Aldershot, Hants, England: Ashgate Publishing Limited, 2000.

Weivel, Peter. "The Unreasonable Effectiveness of the Methodological Convergence of Art and Science." Art@Science. Christa Sommerer and Laurent Mignonneau, eds., New York: Springer-Verlag Wien, 1997.

Whitehead, Alfred North. quoted in Elting E. Morison, Men Machines, and Modern Times. Cambridge, Mass: The MIT Press, 1966, as quoted in Rudi Volti, Society and Technological Change. New York: St. Martinıs Press, 1995.

Winner, Langdon. Autonomous Technology. Cambridge, Massachusetts: The MIT Press, 1977.

Windsor, Luke. "Through and about the Acousmatic." Music, Electronic media and culture. Simon Emmerson, ed. Aldershot, Hants, England: Ashgate Publishing Limited, 2000.

Zolberg, Vera L. Constructing as Sociology of the Arts. Cambridge: Cambridge University Press, 1990.